Broadway & Musical Revue 18

~ Must the show always go on? ~How do you feel about blind casting? ~What one piece of theatrical memorabilia would you most like to own? Have you ever thought about how YOU might answer each of the……続きを見る

A major obstacle for the scholar of theatre is the ephemerality of a dramatic performance. How can we know the specifics of an event that has been and gone, an occurrence that can never be repeated?……続きを見る

Thema des Buches ist Kundry, die weibliche Hauptfigur in Richard Wagners Spätwerk Parsifal (1882) und eine singuläre Gestalt der Operngeschichte. Als Grenzgängerin und in sich Zerrissene findet sie ……続きを見る

In dieser Studie stellt der Autor Fausts Werdegang vom Gelehrten zum Ökonomen, Landesplaner und Unternehmer dar und zeigt durch die innovative «geographische Deutung» des fünften Akts, inwiefern dur……続きを見る

In 1960s East Los Angeles,La Estrella de la Canción Romántica interpreted boleros and other music from the collective memory of Mexico. Though an untrained, local artist, her musical performance was……続きを見る

This book aims to redress the critical neglect of Frank McCourt’s life-writing, which has been dismissed all too frequently as «misery memoir» and deemed commercially driven or aesthetically and pol……続きを見る

In the tradition of the medieval cycle plays performed for education, enrichment, and entertainment, A New Corpus Christi: Plays for Churches presents 25 short plays and skits with one or two script……続きを見る

As a sole survivor of a rare Non-Hodgkin's Lymphoma, it is with great triumph that we celebrate this, the 10-Year Cancer Survivorship Anniversary, of the one and only, Edward Miskie. You're cordiall……続きを見る

'A pitch-perfect second chance romance with off-the-charts tension and chemistry' Carley Fortune, New York Times bestselling author of Every Summer After A former pop star finds herself back in the ……続きを見る

Egypt, 1922: In the Valley of Kings, a glorious tomb was found. America, 2022: On the 100th anniversary of King Tut's discovery, we are pleased to release this special edition libretto! With melodie……続きを見る

This in-depth and original study examines 100 productions and analyses why George Abbott's name became synonymous with the 'golden age' of Broadway. What did Abbott contribute? How did he work? How ……続きを見る

Dramaturgy is at the heart of any musical theatre score, proving that song and music combined can collectively act as drama. The Musical Theatre Composer as Dramatist: A Handbook for Collaboration o……続きを見る

Richard Brinsley Sheridan's 'The Duenna: A Comic Opera' is a delightful and humorous work that exemplifies the comedic style popular in 18th century theatre. The play follows the story of the young ……続きを見る

Stephen Sondheim is one of the best-known and most-loved musical theatre composers, but also one of the most misunderstood, often being labelled as 'distant' or 'cynical'. Careful the Spell You Cast……続きを見る

This book focuses on experimental theatre company, GAle GAtes, credited as "the true innovator" of the contemporary immersive movement. The Immersive Theatre of GAle GAtes is a case-study of this li……続きを見る

The Front Lawn is a multi-award-winning, much-loved New Zealand duo-turned-trio made up of Don McGlashan, Harry Sinclair and, eventually, Jennifer Ward-Lealand. A 1980s variety act, The Front Lawn w……続きを見る

Global in scope and featuring thirty-five chapters from more than fifty dance, music, and theatre scholars and practitioners, The Routledge Companion to Musical Theatre introduces the fundamentals o……続きを見る

How to Be a Multi-Hyphenate in the Theatre Business empowers theatre professionals to take hold of their own career and become successful ‘multi-hyphenates’– artists with multiple proficiencies, oft……続きを見る

Die Grand Opéra des 19. Jahrhunderts stellt sich als ein Vexierbild dar. Auf den ersten Blick zeigt sie sich als Vergnügungsapparat zur Erzeugung visueller und emotionaler Sensationen. In dieses Bil……続きを見る

High stakes poker is the backdrop for a roller coaster ride through the lives of professional poker players. Follow our "heroes" Ace, Deuce and Trey through a crazy world full of gamblers and losers……続きを見る

The politics of Broadway musicals matter a great deal more to U.S. American culture than they appear to mean, and they are especially important to mainstream politics surrounding sex, gender, and se……続きを見る

Dans ce livre, c'est la dernière suite pour aller à la fin de la jeune chanteuse Jenifer Lenom pour leur donner au fan une surprise, mais quelle grande surprise? 続きを見る

A poignant, deliciously anecdotal account of a talented artist's Oz-like journey in the worlds of Off-Broadway, Broadway, and Hollywood The Tony Award-nominated writer of The Tale of the Allergist’s……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía, hablo de él. La obra maestra era él.» Luis Buñuel. ARGUMENTO DE LA……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía; hablo de él. La obra maestra era él.» Luis Buñuel. ARGUMENTO DE LA……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía; hablo de él. La obra maestra era él.» Luis Buñuel. ARGUMENTO DE LA……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía, hablo de él. La obra maestra era él.» Luis Buñuel. Este libro reún……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía, hablo de él. La obra maestra era él.» Luis Buñuel. Este libro reún……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía; hablo de él. La obra maestra era él.» Luis Buñuel. ARGUMENTO DE LA……続きを見る

SINOPSIS: «De todos los seres vivos que he conocido, Federico García Lorca es el primero. No hablo ni de su teatro ni de su poesía; hablo de él. La obra maestra era él.» Luis Buñuel. ARGUMENTO DE LA……続きを見る