This 4th book in the Learn Jazz Piano series, called How To Solo, focuses on soloing techniques, using jazz standards as your guide. Everything you have learned from books 1 – 3 is now brought toget……続きを見る
The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and ……続きを見る
It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out agains……続きを見る
Do you want to know when Duke Ellington was king of The Cotton Club? Have you ever wondered how old Miles Davis was when he got his first trumpet? From birth dates to gig dates and from recordings t……続きを見る
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar play……続きを見る
著者:Gary Giddins
出版社: Oxford University Press
発売日: 2016年05月31日
Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. From Louis A……続きを見る
著者:Lawrence Gushee
出版社: Oxford University Press
発売日: 2016年05月31日
Thanks to the pioneering tours of the Creole Band, jazz began to be heard nationwide on the vaudeville stages of America from 1914 to 1918. This seven-piece band toured the country, exporting for th……続きを見る
著者:Michael Dregni
出版社: Oxford University Press
発売日: 2016年05月31日
Django Reinhardt was arguably the greatest guitarist who ever lived, an important influence on Les Paul, Charlie Christian, B.B. King, Jerry Garcia, Chet Atkins, and many others. Yet there is no maj……続きを見る
著者:Kevin Whitehead
出版社: Oxford University Press
発売日: 2016年05月31日
What was the first jazz record? Are jazz solos really improvised? How did jazz lay the groundwork for rock and country music? In Why Jazz?, author and NPR jazz critic Kevin Whitehead provides lively……続きを見る
著者:Bill Crow
出版社: Oxford University Press
発売日: 2016年05月31日
When jazz musicians get together, they often delight one another with stories about the great, or merely remarkable, players and singers they've worked with. One good story leads to another until so……続きを見る
著者:Gary Giddins
出版社: Oxford University Press
発売日: 2016年05月31日
Gary Giddins's Weather Bird is a brilliant companion volume to his landmark in music criticism, Visions of Jazz, winner of the National Book Critics Circle Award in Criticism. More then 140 pieces, ……続きを見る
著者:John Swenson
出版社: Oxford University Press
発売日: 2016年05月31日
At its most intimate level, music heals our emotional wounds and inspires us. At its most public, it unites people across cultural boundaries. But can it rebuild a city? That's the central question ……続きを見る
著者:Ted Gioia
出版社: Oxford University Press
発売日: 2016年05月31日
The love song is timeless. From its beginnings, it has been shaped by bohemians and renegades, slaves and oppressed minorities, prostitutes, immigrants and other excluded groups. But what do we real……続きを見る
Most often associated with modern artists such as Bob Dylan, Elton John, Don McLean, Neil Diamond, and Carole King, the singer-songwriter tradition in fact has a long and complex history dating back……続きを見る
Struggling to connect majors with relative minors? Learn music's most powerful tool for making rapid progress linking theory to practice.
Musical theories falling on deaf ears? Worrying how to calcu……続きを見る
著者:Gunther Schuller
出版社: Oxford University Press
発売日: 2016年05月31日
Here is the book jazz lovers have eagerly awaited, the second volume of Gunther Schuller's monumental The History of Jazz. When the first volume, Early Jazz, appeared two decades ago, it immediately……続きを見る
著者:Bill Crow
出版社: Oxford University Press
発売日: 2016年05月31日
In the 1950s, New York City's Birdland was the center of the world of modern jazz--and a revelation to Bill Crow, a wet-behind-the-ears twenty-two-year-old from Washington State. Located on Broadway……続きを見る
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar play……続きを見る
著者:Anne Anlin Cheng
出版社: Oxford University Press
発売日: 2016年05月31日
Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the tu……続きを見る
It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out agains……続きを見る
The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and ……続きを見る
著者:Brian Harker
出版社: Oxford University Press
発売日: 2016年05月31日
For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the ……続きを見る
著者:Lawrence Gushee
出版社: Oxford University Press
発売日: 2016年05月31日
Thanks to the pioneering tours of the Creole Band, jazz began to be heard nationwide on the vaudeville stages of America from 1914 to 1918. This seven-piece band toured the country, exporting for th……続きを見る
Shortlisted for the Penderyn Music Book Prize 2017.
In this first installment of acclaimed music writer David Toop's interdisciplinary and sweeping overview of free improvisation, Into the Maelstrom……続きを見る
The year 2016 will mark the centennial of the birth of Albert Murray (1916–2013), who in thirteen books was by turns a lyrical novelist, a keen and iconoclastic social critic, and a formidable inter……続きを見る
Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the developme……続きを見る
Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular mus……続きを見る
The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part ……続きを見る