Opera 30

First published in 1919. The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation. Illustrated with One Hundred Portraits in Costume and Scenes from Opera. 続きを見る

This file includes: Apollo et Hyacinthus (in Latin); Ascanio in Alba (in Italian); Bastien und Bastienne (in German); Cosi fan tutte (in Italian); Die Entführung aus dem Serail (in German); Die Gärt……続きを見る

Diese Datei enthält: Das Liebesverbot; Der Fliegende Holländer; Die Feen; Die Meistersinger von Nürnberg; Lohengrin Der Ring des Nibelungen "(Das Rheingold; Die Walküre; Siegfried; Götterdämmerung);……続きを見る

Questo file include: Aida, Alzira, Aroldo, Attila, Don Carlo, Ernani, Falstaff, Giovanni d'Arco, I Due Foscari, I Lombardi alla prima crociata, I Masnadieri, I Vespri Sciliani, Il Corsaro, Il Trovat……続きを見る

"If Music be, among the arts, 'Heaven's youngest-teemed star', the latest of the art-forms she herself has brought forth is unquestionably Opera. Three hundred years does not at first seem a very sh……続きを見る

"Whether or not the English owe a grudge to their Lord Chamberlain for depriving them of the pleasure of seeing operas based on Biblical stories I do not know. If they do, the grudge cannot be a dee……続きを見る

This file includes: Acis and Galatea; Admeto; Alexander Balus; Alexander's Feast; An Occasional Oratorio; Ariodante; Athalia; Belshazzar; The Choice of Hercules; Deborah; Esther; Giulio Cesare; Isra……続きを見る

"The making of this book was prompted by the fact that with the season 1907-08 the Metropolitan Opera House in New York completed an existence of twenty-five years. Through all this period at public……続きを見る

"The history of what is popularly called Italian opera begins in the United States with a performance of Rossini's lyrical comedy "Il Barbiere di Siviglia"; it may, therefore, fittingly take the fir……続きを見る

Ce dossier comprend: Béatrice et Bénédict, La Damnation de Faust, et Lélio ou le Retour à la vie, tous en français original. Selon Wikipédia: "Hector Berlioz (11 décembre 1803 - 8 mars 1869) était u……続きを見る

This file includes: Adelaide di Borgogna, in Italian; Adina, in Italian; Armida, in Italian; Aureliano in Palmira, in Italian; Bianca e Falliero, in Italian; Ciro in Babilonia, in Italian; Le Comte ……続きを見る

'Wagner's art refuses to stand still, declines to play by the rules and will not observe any of the social graces' What is it that makes Wagner's art so endlessly powerful? So influential, seductive……続きを見る

Maria Callas was, perhaps, the greatest opera singer of the 20th century. Hers was a life lived on the world stage, and her fame extended to the public consciousness of many parts of the world. Even……続きを見る

Pietro Antonio Domenico Trapassi (1698–1782) was an Italian poet and librettist, considered the most important writer of opera seria libretti. In this volume, Pietro Metastasio presents new translat……続きを見る

“Opera is community, comfort, art, voice, breath, life. It’s hope.” All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her lis……続きを見る

The history of opera and operettas in the Waterloo County/Region in Ontario Canada from 1880-2020. Features chapters on: Berlin Opera House, Scott's Opera House, Twin City Operatic Society, Mabel Kr……続きを見る

Gioachino Rossini's The Barber of Seville surveys the opera's fascinating performance history, mapping out the myriad changes that have affected the work since its premiere, exploring many of the pe……続きを見る

In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera……続きを見る

In "Shakespearean Music in the Plays and Early Operas," Frederick Bridge provides an insightful exploration of the integral role of music within Shakespeare's works and its subsequent influence on t……続きを見る

In "Forty Years of Song," Emma Albani eloquently reflects on her remarkable journey as one of the most celebrated sopranos of her time. The book is a rich tapestry of memoir and musical history, ble……続きを見る

Dans 'Parsifal, de Richard Wagner : légende, drame, partition', Maurice Kufferath propose une analyse approfondie de l'œuvre de Wagner, 'Parsifal', qui fusionne légende médiévale et drame musical. À……続きを見る

Highlights the original cast membersーboth the well-known and the (until now) wholly unknownーwho staged the duo's comic operas in Britain and in America. In this, the first book to focus on the ori……続きを見る

Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth-century music, from the Russian nationalist heritage of the early works……続きを見る

This book considers and discusses aspects of the management of the D’Oyly Carte Opera Company in the twentieth century since the death of its founder Richard D’Oyly Carte, and concentrates on key ev……続きを見る

More than 40 years after her death, the legend of Maria Callas, “La Divina Assoluta,” remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her……続きを見る

The Ring of the Nibelung is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are loosely based on characters from the Germanic heroic legend, namely Norse lege……続きを見る

Sandra Mamboury se passionne pour la vie de son arrière-arrière-grand-mère, la cantatrice et compositrice Pauline Viardot, une des plus célèbres artistes lyriques du XIXe siècle. À chacun de ses pas……続きを見る

Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de' Medici and King Henri IV of France in Florence in October 1600. As the first 'opera' to survive ……続きを見る

This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct g……続きを見る

Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attributeーvoiceーas the foundation o……続きを見る