Ce livre comporte une table des matières dynamique. Il est parfaitement mis en page pour une lecture sur liseuse électronique. George Sand commence à faire paraîtr……続きを見る
Expert advice on how to get booked and asked back!
"Jacquie ought to know how to get you on TV...she's put half the country on TV, including me." --Maury Povich
In Get on TV!, Jacquie Jordan brings ……続きを見る
On set, actors are frequently asked to deliver big emotion on a moment’s notice – much like landing a jet on the head of a pin. It is crucial to develop a practice that allows access to a full range……続きを見る
Life After Kes examines the history and legacy of the 1969 award-winning British film, Kes, about a boy’s (Billy Casper) relationship with a kestrel. This fascinating book not only pays homage to th……続きを見る
The Routledge Companion to Actors’ Shakespeare is a window onto how today’s actors contribute to the continuing life and relevance of Shakespeare’s plays.
The process of acting is notoriously hard t……続きを見る
How do you prepare for your first day on the set? Why might a bad audition lead to a good job offer? How should you research? What's the effect of a long tour on your love-life? Can you have a glass……続きを見る
**A Financial Times Best Book of the Year
"Brando’s Smile returns us to the power of his greatest performances." ーDan Chiasson, New York Review of Books**
When people think about Marlon Brando they……続きを見る
Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor's toolkit.
Singing on Stage: An Actor'……続きを見る
A handbook of theatre workshops for actors, teachers and directors, by a leader in the field of physical theatre and research
This is a book of theatrical beginnings for actors, teachers and directo……続きを見る
Finding good, interesting audition pieces is a demanding and difficult process. This revised edition contains over 40 speeches and includes a wide selection of pieces taken from plays written or pro……続きを見る
Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?
Now in its second edition, this practical handbook takes the reader th……続きを見る
Keith Johnstone entered the Royal Court Theatre as a new playwright in 1956: a decade later he emerged as a groundbreaking director and teacher of improvisation. His decisive book Impro (1979), desc……続きを見る
Bill Bryden's Cottesloe Company, which flourished at Peter Hall's National Theatre, was the English theatre's only true ensemble of the last thirty or so years. Impossible Plays tells the story of t……続きを見る
This revised edition contains several new speeches, many of which are taken from plays written and produced during the last five years. There are speeches for a variety of accents and ages to suit a……続きを見る
Based on the latest research from the fields of neuroscience and mind-body psychology, Acting With Passion offers a revolutionary new approach to the age-old problems of the actor: dealing with nerv……続きを見る
Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the wor……続きを見る
The camera enables us to see right into a character's soul, revealing his or her innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than t……続きを見る
著者:Mr John Gillett
出版社: Bloomsbury Publishing
発売日: 2014年02月13日
Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely em……続きを見る
We train because we are human and we become human because we train.
This is the surprising and original conclusion of Anatomy of Performance Training, in which John Matthews shows how training is a ……続きを見る
Actor Movement: Expression of the Physical Being is a textbook and video resource for the working actor, the student and all those who lead and witness movement for the actor, including movement tut……続きを見る
Finding good, interesting audition pieces is a demanding and difficult process for actresses. This revised edition of Actresses' Audition Speeches contains over 40 speeches and includes a wide selec……続きを見る
Actors and Performers Yearbook is an established and respected directory that enables actors to find work in stage, screen and radio. It is the only directory to provide detailed information for eac……続きを見る
This guide covers assessing the potential auditioner's skills,
analysing their voice, choosing and preparing appropriate songs,
learning material in a hurry, and identifying their role within an
aud……続きを見る
Creating A Role is the third book - alongside the international bestseller An Actor Prepares and Building A Character - in the series of influential translations that introduced Stanislavski's actin……続きを見る
A lively, critical study of one of the most important innovators, thinkers and directors in contemporary world theatre: Tadashi Suzuki. This book explores Suzuki's theatre practice and contains acco……続きを見る
The Comic Offense from Vaudeville to Contemporary Comedy examines how contemporary writer/performers are influenced by the comedic vaudevillians of the early 20th century. By tracing the history and……続きを見る
*Winner of the 1989/90 Tonight/AA Life Vita Award for Comedy in Theatre*
"The play is brilliant."(Weekly Mail) "A very fine, thoughtful piece of writing that has both a message and i……続きを見る
著者:Anthony Slide
出版社: University Press of Mississippi
発売日: 2012年09月28日
Extras, bit players, and stand-ins have been a part of the film industry almost from its conception. On a personal and a professional level, their stories are told in Hollywood Unknowns, the first h……続きを見る
A renowned working actor, writer, producer and 'un-acting' coach shares with you the inside secrets of how to master the screen actor's career in the twenty-first century, including how to break in,……続きを見る
What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves?
In The Science of Acting, Sam Kogan uses his theories on……続きを見る