A painter of the Impressionist movement, Alfred Sisley was born on October 30th 1839 in Paris but was of British origin. He died on January 29th 1899 in Moret-sur-Loing. Growing up in a musical fami……続きを見る
Since his death 100 years ago, Cézanne has become the most famous painter of the nineteenth century. He was born in Aix-en-Provence in 1839 and the happiest period of his life was his early youth in……続きを見る
Lautrec studied with two of the most admired academic painters of the day, Léon Bonnat and Fernand Cormon. Lautrec’s time in the studios of Bonnat and Cormon had the advantage of introducing him to ……続きを見る
Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely ……続きを見る
In Istanbul, urban transformation and housing production processes are so intricately
entwined and intertwined that they elicit a plethora of predictable and unexpected
subject matters to be studied……続きを見る
a psicologia vem se tornando cada vez mais importante para as outras ciências sociais (mesmo que de forma indireta) e com isso as ciências (a psicologia inclusa nela) tem avançado cada vez mais, a p……続きを見る
Arriving with a bang on the post-World War I scene, the Surrealists proclaimed a revolution of thought and creation, insisting on breaking away from the past and a world that had been left in ruins.……続きを見る
Nicolas de Staël, peintre français de famille russe, est né le 5 janvier 1914 à Saint-Pétersbourg et mort le 16 mars 1955 à Antibes. Son œuvre fut très fortement influencée par Cézanne, Van Gogh, Br……続きを見る
Paul Cézanne, um contemporâneo dos Impressionistas, a cuja influência se submeteu no início da sua carreira, rapidamente se encaminhou para uma procura mais pessoal o que o tornou o "pai da pintura ……続きを見る
Até ao final do século XIX a Arte Naïve, criada por artistas inexperientes e caracterizada pela espontaneidade e simplicidade, foi pouco reconhecida quer pelos artistas profissionais quer pelos crít……続きを見る
Zombies want brains. Vampires want blood. Cannibals want human flesh. All monsters need feeding.
Horror has been embraced by mainstream pop culture more than ever before, with horror characters and……続きを見る
For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the ……続きを見る
Pierre Bonnard was the leader of a group of Post-Impressionist painters who called themselves the Nabis, from the Hebrew word meaning “prophet”. Bonnard, Vuillard, Roussel and Denis, the most distin……続きを見る
Edouard Manet (Paris, 1832 – 1883). Manet est l'un des plus célèbres artistes de la seconde moitié du XIXe siècle, lié aux impressionnistes sans faire vraiment partie de leur groupe. Chérissant son ……続きを見る
Claude Monet (Paris, 1840 – Giverny, 1926) Pour Claude Monet, le qualificatif d'impressionniste est toujours resté un sujet de fierté. Malgré tout ce que les critiques ont pu écrire sur son oeuvre, ……続きを見る
Mary Cassatt (Pittsburg, 1844, – Château de Beaufresne, 1926) Mary est née à Pittsburgh. Son père était un banquier très libéral en matière d'éducation, et toute la famille semblait manifester une c……続きを見る
L’art naïf connaît ses premiers succès à la fin du XIXe siècle. Des « peintres du dimanche » développent avec spontanéité et simplicité une forme d’expression qui, jusqu’alors, avait peu intéressé l……続きを見る
Until the end of the 19th century Naïve Art, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Naïve……続きを見る
Para Claude Monet, el que se le considerara “impresionista” fue siempre un motivo de orgullo. A pesar de todas las críticas que se han hecho a su trabajo, siguió siendo un verdadero impresionista ha……続きを見る
Pierre-Auguste Renoir war Augenzeuge vieler bedeutender Ereignisse. Sein jüngerer Bruder Edmond erzählte: “Seine Kohlezeichnungen an den Mauern brachten die Eltern auf den Gedanken, dass er ein male……続きを見る
This book is presented to demonstrate how energy efficiency can be achieved in existing systems or in the design of a new system, as well as a guide for energy savings opportunities. Accordingly, th……続きを見る
著者:Ayhan Kaya
出版社: Taylor & Francis
発売日: 2019年10月14日
Populism and Heritage in Europe explores popular discourses about European and national heritage that are being used by specific political actors to advance their agendas and to prevent minority gro……続きを見る
著者:Ece Kaya
出版社: Springer Nature Singapore
発売日: 2019年10月26日
This book examines the impacts of tourism-led transformations on the industrial historical waterfront at Darling Harbour and The Rocks in Sydney, Australia in the context of urban restructuring and ……続きを見る
Claude Monet (Paris, 1840 – Giverny, 1926) Pour Claude Monet, le qualificatif d'impressionniste est toujours resté un sujet de fierté. Malgré tout ce que les critiques ont pu écrire sur son oeuvre, ……続きを見る
Degas bezog seine wichtigsten Motive aus dem lebendigen Paris der Epoche und lernte die künftigen Impressionisten wahrscheinlich erst im Café Guerbois kennen. Im Jahr 1852 erhielt er ein Juradiplom,……続きを見る
The Tazza Farnese is one of the most admired objects from classical antiquity. A libation bowl carved from banded agate, it features Medusa's head on its outside and, inside, an assembly of Egyptian……続きを見る
Ferdinand Victor Eugène Delacroix (Saint-Maurice, 1798 – Paris, 1863) Delacroix fut l'un des plus grands coloristes du XIXe siècle. La couleur était pour lui un moyen d'expression déterminant, qui a……続きを見る
Pierre-Auguste Renoir werd geboren in Limoges op 25 februari 1841 en stierf in Cagnes-sur-Mer op 3 december 1919. Hij was een Frans impressionistisch kunstschilder. Al op zijn dertiende werkte Renoi……続きを見る
Alfred Sisley (Paris, 1839 – Moret-Sur-Loing, 1899). Alfred Sisley naquit à Paris le 30 octobre 1839 dans une famille anglaise. Ayant atteint ses dix-huit ans, ses parents l'envoyèrent en Angleterre……続きを見る
Jean-Auguste-Dominique Ingres (Montauban, 1780 – Paris, 1867) Ingres sembla d'abord destiné à reprendre le flambeau de son maître David, dans l'art à la fois du portrait et de la peinture historique……続きを見る