Ｒｉｃｏ - Art Technique 1

Sommaire : SIÈCLE MARKER - Chijin No Ai (Stephen Sarrazin) - Merde in Japan (Jean-Sébastien Chauvin) - Giri (Pacôme Thiellement) - Rencontre avec Yuko Sekiguchi autour de Black Rain (entretien avec ……続きを見る

Numéro deux de la revue Mondes du cinéma Sommaire : Siècle du cinéma japonais - Conforme et corrosif, images de l’après 11 mars 2011 (Stephen Sarrazin) - L’ignorance est un crime, Kiju Yoshida et la……続きを見る

Color is a powerful tool that affords seemingly endless design possibilities, but we often design with only one type of color vision in mind-our own. Make sure that accessibility and aesthetics go h……続きを見る

Over the past decades, a fundamental epistemological shift has transformed notions of performativity and representation in the arts under the influence of new technologies. Mediation has challenged ……続きを見る

This book explores how copyright laws are perceived within street art and graffiti subcultures to examine how artists and writers view certain creative aspects of their own practice. Drawing on ethn……続きを見る

A vent'anni dalla scomparsa di Kubrick sei capolavori assoluti analizzati da eccellenti studiosi. Stanley Kubrick è ancora senza dubbio l’autore cinematografico per eccellenza. I suoi film affascina……続きを見る

Attraverso quarantacinque film esemplari, riletti secondo una pluralità di prospettive e metodi d’indagine, il volume compone un affresco inedito del cinema come arte dello sguardo, dalle vedute dei……続きを見る

What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetic……続きを見る

Bertumé è forte, possente, bello come una statua. Bartolomeo Pagano è un camallo del porto di Genova e sarà attore per puro caso. Anche Umberto è forte, possente, ma non è certo bello, anzi. Umberto……続きを見る

Federico de Cárdenas ha sido el crítico de cine más prolífico del Perú. Participó durante veinte años en la revista Hablemos de Cine y escribió para muchas otras en diversas oportunidades; aunque lo……続きを見る

We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from grap……続きを見る