Bernard van Orley is one of the leading artists of the Flemish Renaissance. Characteristic of his work, which consists of painting, tapestry and stained glass, was the strong influence of the Italia……続きを見る
Pierre-Auguste Renoir werd geboren in Limoges op 25 februari 1841 en stierf in Cagnes-sur-Mer op 3 december 1919. Hij was een Frans impressionistisch kunstschilder. Al op zijn dertiende werkte Renoi……続きを見る
“Father Pissarro”, as his friends liked to call him, was the most restrained of the artists of the Impressionist movement. Perhaps it was his age, being older than his fellow artists Monet, Sisley, ……続きを見る
Paul Gauguin was first a sailor, then a successful stockbroker in Paris. In 1874 he began to paint at weekends as a Sunday painter. Nine years later, after a stock-market crash, he felt confident of……続きを見る
Alfred Sisley (Paris, 1839 – Moret-Sur-Loing, 1899). Alfred Sisley naquit à Paris le 30 octobre 1839 dans une famille anglaise. Ayant atteint ses dix-huit ans, ses parents l'envoyèrent en Angleterre……続きを見る
Jean-Auguste-Dominique Ingres (Montauban, 1780 – Paris, 1867) Ingres sembla d'abord destiné à reprendre le flambeau de son maître David, dans l'art à la fois du portrait et de la peinture historique……続きを見る
Pierre–Auguste Renoir (Limoges, 1841 – Cagnes-Sur-Mer, 1919) Pierre-Auguste Renoir naquit le 25 février 1841 à Limoges. En 1854, ses parents retirèrent l'enfant de l'école et le placèrent dans l'ate……続きを見る
Als Impressionist zu gelten war für Monet eine Auszeichnung. Er war es aus tiefer Überzeugung und blieb es bis an das Ende seines langen Lebens. Er begnügte sich mit einem einzigen Genre, dem der La……続きを見る
„Vater Pissaro“, wie seine Freunde ihn gern nannten, war wohl der nüchternste der Impressionisten. Vielleicht lag es an seinem Alter (welches weitaus fortgeschrittener war, als das seiner Kollegen M……続きを見る
Germain Hilaire Edgar Degas (Paris, 1834 – 1917) Dans le cercle des impressionnistes, c'est de Renoir que Degas fut le plus proche : tous deux préférèrent comme motif de leur peinture le Paris vivan……続きを見る
For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the ……続きを見る
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to pain……続きを見る
Le Douanier Rousseau (Henri Rousseau) (Laval, 1844 – Paris, 1910) Les galeries marchandes à Paris fleurissant, on créa en 1884, le Salon des Indépendants. Cette exposition sans jury fut organisée po……続きを見る
Cézannes glücklichste Zeit war seine frühe Jugend in der Provence, wo er zusammen mit Zola und einem anderen Freund in der Natur umherstreifte. Ermutigt durch Renoir, stellte er 1874 und 1877 zusamm……続きを見る
Pierre-Auguste Renoir war Augenzeuge vieler bedeutender Ereignisse. Sein jüngerer Bruder Edmond erzählte: “Seine Kohlezeichnungen an den Mauern brachten die Eltern auf den Gedanken, dass er ein male……続きを見る
Alfred Sisley (1839-1899) gilt als der Schüchternste unter den Impressionisten und obwohl er künstlerisch immer im Schatten von Pierre-Auguste Renoir und Claude Monet stand, verband ihn mit beiden e……続きを見る
Apparu à l’aube du XXe siècle, le Fauvisme explosa sur la scène artistique lors du Salon d’automne de 1905 en un scandale retentissant. En jetant des couleurs pures sur la toile, les fauves défièren……続きを見る
Un recopilatorio de maravillosas obras de arte de autores como Dalí, Tàpies, Picasso, Casas o Rusiñol y una apasionante investigación sobre las mujeres que inspiraron a estos grandes artistas. El ar……続きを見る
著者:Jenny Anger
出版社: University of Minnesota Press
発売日: 2018年02月20日
Exploring the significance of metaphor in modern art
“Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has ey……続きを見る
Paul Delaroche (1797 – 1856) was a French painter who achieved his greater successes painting history. He became famous in Europe for his melodramatic scenes that often portrayed subjects from Engli……続きを見る
From Florence, in the second half of the fifteenth century, men looked into a new dawn. When the Turk took Constantinople in 1443, the "glory that was Greece" was carried to her by fleeing scholars,……続きを見る
Impressionism has always been one of the publics favourite styles of art and Impressionist works continue to enchant beholders with their amazing play of colours and forms. This book offers a well-c……続きを見る
This book with Foreword written by Raya Yotova contains reproductions of drawings and paintings by Robert Campin.
Robert Campin (1375 –1444), recognized with the Master of Flémalle or Master of the ……続きを見る
Artemisia Gentileschi (1593 - 1653) is supposed the most important Italian painter of her time of the Baroque.
She was mainly predisposed in her premature paintings by her father, Orazio Gentileschi……続きを見る
Universally celebrated for his rosy and concupiscent nudes, Peter Paul Rubens (1577-1640) was an artist whose first concern was sensuality in all its forms. This Baroque master devoted himself to a ……続きを見る
Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention.……続きを見る
Peter Snayers was a Flemish artist, known for his panoramic battle scenes, images of cavalry skirmishes, raids over villages, convoys and hunting scenes. He established his status mainly through his……続きを見る
Seghers is best known for his monumental genre paintings and great religious and figurative works. He has completed many altars for churches in the South of Holland. Most of his pictures were perfor……続きを見る
Frans Snyders was enrolled as a student of Pieter Brueghel the Younger in 1593, then learned from Hendrick van Balen, who was the first master of Anthony van Dyck. Snyders became master of the Antwe……続きを見る
Adriaen van Utrecht and Frans Snyders are considered to be the leading inventors of the Flemish painting still-life genre. The two artists emphasize abundance by depicting a variety of objects, frui……続きを見る