著者:Sean Redmond
出版社: Columbia University Press
発売日: 2013年03月19日
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The vo……続きを見る
Terry Gilliam has been making movies for more than forty years, and this volume analyzes a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of D……続きを見る
著者:Julie Turnock
出版社: Columbia University Press
発売日: 2015年02月03日
Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the form's transition to sound in the 1920s. Beginning with the classi……続きを見る
著者:Juniper Ellis
出版社: Columbia University Press
発売日: 2008年03月03日
In the 1830s an Irishman named James F. O'Connell acquired a full-body tattoo while living as a castaway in the Pacific. The tattoo featured traditional patterns that, to native Pohnpeians, defined ……続きを見る
著者:Ariel Rogers
出版社: Columbia University Press
発売日: 2013年11月19日
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital c……続きを見る
Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to ind……続きを見る
著者:Adam Lowenstein
出版社: Columbia University Press
発売日: 2014年11月11日
Video games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many wo……続きを見る
Over the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in……続きを見る
著者:Catherine Elwes
出版社: Columbia University Press
発売日: 2015年05月12日
Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have ex……続きを見る
著者:Michael Slowik
出版社: Columbia University Press
発売日: 2014年10月21日
Many believe Max Steiner's score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926–1934)……続きを見る
著者:Francesco Casetti
出版社: Columbia University Press
発売日: 2015年03月03日
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museum……続きを見る
著者:Holly Willis
出版社: Columbia University Press
発売日: 2016年08月16日
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" intr……続きを見る
著者:Justin Remes
出版社: Columbia University Press
発売日: 2015年02月24日
Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Re……続きを見る
著者:Nora M. Alter
出版社: Columbia University Press
発売日: 2018年01月02日
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms a……続きを見る
著者:Sarah Keller
出版社: Columbia University Press
発売日: 2014年12月09日
Maya Deren (1917–1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau……続きを見る
著者:William Paul
出版社: Columbia University Press
発売日: 2016年05月24日
There was a time when seeing a movie meant more than seeing a film. The theater itself shaped the very perception of events on screen. This multilayered history tells the story of American film thro……続きを見る
著者:Priya Joshi
出版社: Columbia University Press
発売日: 2015年03月03日
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabric……続きを見る
著者:Brian Jacobson
出版社: Columbia University Press
発売日: 2015年09月01日
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and ……続きを見る
著者:Paul Bowman
出版社: Columbia University Press
発売日: 2013年03月26日
In order to understand Bruce Lee, we must look beyond Bruce Lee to the artist's intricate cultural and historical contexts. This work begins by contextualising Lee, examining his films and martial a……続きを見る
The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Roh……続きを見る
著者:Alison Griffiths
出版社: Columbia University Press
発売日: 2016年08月23日
A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the pr……続きを見る
著者:Daniel Yacavone
出版社: Columbia University Press
発売日: 2014年12月23日
Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the con……続きを見る
著者:Emanuel Levy
出版社: Columbia University Press
発売日: 2015年08月25日
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of v……続きを見る
著者:Philip Mosley
出版社: Columbia University Press
発売日: 2013年03月19日
The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liège-Seraing, a former industria……続きを見る
著者:Jonas Mekas
出版社: Columbia University Press
発売日: 2016年04月19日
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack……続きを見る
著者:Paolo D'Angelo
出版社: Columbia University Press
発売日: 2018年03月06日
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disgu……続きを見る
著者:Nicholas Rombes
出版社: Columbia University Press
発売日: 2017年12月19日
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into accoun……続きを見る
著者:Paolo D'Angelo
出版社: Columbia University Press
発売日: 2018年03月06日
The essence of art is to conceal art. A dancer or musician does not only need to perform with ability. There should also be a lack of visible effort that gives an impression of naturalness. To disgu……続きを見る
著者:Nora M. Alter
出版社: Columbia University Press
発売日: 2018年01月02日
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms a……続きを見る
著者:Jane Barnwell
出版社: Columbia University Press
発売日: 2019年07月25日
Production Design: Architects of the Screen explores the role of the production designer through a historical overview that maps out landmark film and television designs. From the familiar environs ……続きを見る