ａＮ - Shakespeare 1

Are Shakespeare's plays dramatizations of patriarchy or representations of assertive and eloquent women? Or are they sometimes both? And is it relevant, and if so how, that his women were first play……続きを見る

What does it mean to teach Shakespeare with purpose? It means freeing teachers from the notion that teaching Shakespeare means teaching everything, or teaching “Western Civilisation” and universal t……続きを見る

William Shakespeares "Hamlet, Prinz von Dänemark" ist ein herausragendes Werk der englischen Literatur, das die komplexen Themen von Macht, Verrat und der menschlichen Existenz behandelt. Effektiv k……続きを見る

Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leadin……続きを見る

Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productio……続きを見る

A fascinating insider account of researching, rehearsing and performing the part of King Lear for a major Royal Shakespeare Company production, Antony Sher's Year of the Mad King won the 2019 Theatr……続きを見る

In der zweisprachigen Ausgabe von William Shakespeares "Sämtliche Tragödien" werden die zeitlosen Werke des zweitgrößten Dramatikers der englischen Sprache in ihrer ganzen Pracht präsentiert. Diese ……続きを見る

William Shakespeares "Othello, der Mohr von Venedig" ist ein meisterhaftes Drama, das die humanen Abgründe und die Tragik der Eifersucht erkundet. In einem literarischen Stil, der sowohl lyrische Sc……続きを見る

Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and how to wield whatever resources are available to c……続きを見る

**INSTANT NEW YORK TIMES BESTSELLER Taking a curtain call with a live snake in her wig...** Cavorting naked through the Warwickshire countryside painted green... Acting opposite a child with a pumpk……続きを見る

Sidney Homan defines a pivotal line as “a moment in the script that serves as a pathway into the larger play … a magnet to which the rest of the play, scenes before and after, adheres.” He offers hi……続きを見る

Vahva kannanotto tasa-arvoon. "Teidän lakinne ja oikeutenne, hahaha – Niitähän minun pitikin ampua!" Työmiehen vaimo on näytelmän muotoon kirjoitettu teos, joka kertoo ahkeran Johannan ja hänen hult……続きを見る

Yanan Mendil Yanıyor mendil, yakıyor gözyaşları. Ben düşlerimi ısıtmak için, Seninle olan bağımı ömürlük kıldım. Rüya tadında gözlerim vardı. Beni yağmura tutan düşlerim sendendi. Geziyordum güneşi,……続きを見る

Choice is the defining issue of the twenty-first century. As the #MeToo movement extends its legal, social, and political reach around the world, the topic of consent has come under particular scrut……続きを見る

In 'De Werken van William Shakespeare' presenteert L. A. J. Burgersdijk een gedegen en uitgebreide analyse van de dramatische oeuvre van de Engelse toneelschrijver. Het boek biedt een systematische ……続きを見る

"What is the most wonderful thing about teaching this play in our classrooms?" Using this question as a starting point, Shakespeare’s Guide to Hope, Life, and Learning presents a conversation betwee……続きを見る

William Shakespeares "Julius Caesar" ist ein meisterhaftes tragisches Drama, das sich mit den Themen Macht, Verrat und dem Einfluss des Schicksals auf das individuelle Handeln auseinandersetzt. Das ……続きを見る

In "Der Sturm", einem der letzten Werke William Shakespeares, entfaltet sich eine komplexe Erzählung über Macht, Verrat und Erlösung auf einer mysteriösen Insel. Geprägt von einer fantastischen Atmo……続きを見る

First published in 1971, Poison, Play and Duel explores the dominant symbols of the language and action of Hamlet. The Ghost first reveals that Claudius murdered his brother by poison, and this act ……続きを見る

Violent liminalities in Early Modern Culture is a methodologically innovative book combining the twin disciplines of queer theory and disability studies. It investigates the violence feared from, an……続きを見る

Benedick: I am man enough to say that I love thee. Is that not strange? Beatrice: Not really… Benedick: By my sword, Beatrice thou lovest me. Beatrice: Get over yourself To celebrate the 400th anniv……続きを見る

‘Give me the daggers and I’ll pin the blame/ On Duncan’s grooms who both are also slain. /A little water clears us of this deed /Though a large scotch might also do the trick...’ To celebrate the 40……続きを見る

This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and pr……続きを見る

Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to ch……続きを見る

A Shakespeare Miscellany This volume, number 9 in the Shakespeare series published by AfterMath, provides some supporting information not readily available and not included in any of the the other v……続きを見る

LE ROI. Puisse la gloire, que tous poursuivent dans leur vie, ー 6e fixer, à jamais vivante, sur nos tombes d’airain, ー et nous prêter sa grâce dans la disgrâce de la mort ! ー En dépit du Temps, c……続きを見る

Notice Acte I Acte II Acte III Acte IV Acte V 続きを見る

Scène I. [Dans le palais des rois de Bretagne.] Entrent DEUX GENTILSHOMMES. PREMIER GENTILHOMME. ー Vous ne rencontrez personne qui ne fronce le sourcil ; nos tempéraments ー ne sont pas mieux gouve……続きを見る

I. ー Sur le penchant d’une colline dont le sein creusé répétait une lamentable histoire qui partait de la vallée voisine, je résolus d’écouter cette double voix, et je m’étendis sur le sol pour prê……続きを見る

CHOEUR. Deux familles, égales en noblesse, Dans la belle Vérone, où nous plaçons notre scène, Sont entraînées par d’anciennes rancunes à des rixes nouvelles Où le sang des citoyens souille les mains……続きを見る