Emil - Opera 1

Categorie, personaggi, figure, luoghi comuni e non comuni di quello spettacolo musicale che chiamiamo «opera» si radunano qui come voci di un repertorio che fa di tutto per non essere quello che sem……続きを見る

« L’art a des clartés que la raison n’a pas… La symphonie tout entière avec ses moyens d’action, ses idées, son langage, émane du génie de l’homme, et entre les diverses formes de l’art, il n’en est……続きを見る

In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of ……続きを見る

What is the role of classical music in the 21st century? How will classical musicians maintain their relevance and purpose? This book follows the working activities of professional orchestral musici……続きを見る

Extrait : "'CHŒUR PROCESSIONNEL. O Jupiter, si tu te plais aux jeux, / Aux jeux sacrés que célèbre Olympie, / Ne permets pas le triomphe à l'impie, / Ne permets pas la honte aux courageux !' Entre l……続きを見る

Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinc……続きを見る

Dies ist das Libretto zur Oper Der Moloch. Genießen Sie zum Klang Ihrer Lieblingsoper die Original-Texte auf Ihrem Bildschirm. Einzelne Akte und, falls mehrsprachig, Sprachen lassen sich über das In……続きを見る

Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of……続きを見る

How did Paris and its musical landscape influence Verdi's La traviata? In this book, Emilio Sala re-examines La traviata in the cultural context of the French capital in the mid-nineteenth century. ……続きを見る