Volume I of Playing Outside the Lines is the first of a comprehensive four-part method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flut……続きを見る
Just like a guitar, saxophone, piano, clarinet or flute, the voice is an instrument that requires training and education. Consistent practice, along with an understanding of the parts and mechanics ……続きを見る
Just like a guitar, saxophone, piano, clarinet or flute, the voice is an instrument that requires training and education if one wishes to improve upon their natural ability. Understanding the parts ……続きを見る
This book and accompanying audio are a perfect introduction to the world of writing and singing your own songs. You'll learn some basic information on vocal health, breathing, and techniques to help……続きを見る
Explore the expressive world of the Romantic era with this full score from 10 Romantic Pieces, a collection of easy-level arrangements by Francesco Leone for Flute Quartet (four flutes in C). Specif……続きを見る
Physical Abuse, Confusion, Rehabilitation, and Personal Struggles - every day, musicians from around the world begin their journey of musical expression.
Discover WHY a director from Australia went ……続きを見る
Improvisation - the creation of a unique combination of musical content within a musical context - is core to musicianship. As authors Suzanne L. Burton and Alden H. Snell II demonstrate, students a……続きを見る
Explore the creative ways music educators across the country are approaching emerging practices in music teaching and learning. Outlined in twenty-five unique case studies, each program offers a new……続きを見る
One of the best methods for learning advanced rhythm, polyrhythm, and metric/harmonic superimposition. Looks at rhythm through a magnifying glass so the student can see, sing, and hear various subdi……続きを見る
The follow-up to Intro to Polyrhythms, a method for learning advanced rhythm, polyrhythm, and metric/harmonic superimposition, looks at rhythm through a magnifying glass and enables the student to s……続きを見る
