ako - Theatre 1

Thema des Buches ist Kundry, die weibliche Hauptfigur in Richard Wagners Spätwerk Parsifal (1882) und eine singuläre Gestalt der Operngeschichte. Als Grenzgängerin und in sich Zerrissene findet sie ……続きを見る

Stage magic unplugged big audience effects without close-up cameras From close-up magic to standing ovationsーcaptivate hundreds at once. Unlock the secrets of commanding a room of 500+ spectators w……続きを見る

South Asian Disability and Deaf Theatres investigates translocal intimacies in relation to twenty-first-century transnational South Asian disability theatres in order to lay out new possibilities fo……続きを見る

Discover the Enigma of Laughter and Magic Tommy Cooper was more than a comedian; he was a phenomenon. Known for his towering stature, unforgettable fez, and bumbling stage persona, Tommy blended sla……続きを見る

Step into the Illusion, Explore the Legend The Dean of Magic: Harry Kellar's Magical Journey invites you into a world where reality bends and wonder knows no bounds. Harry Kellar, America's first gr……続きを見る

Ukraine's remarkable aptitude for resilience and grassroots activism, as witnessed since February 2022, is closely connected to a process that began with the Euromaidan Revolution in 2013-14, when o……続きを見る

How do people identify, locate, or express home? Displaced, exiled, colonized and disenfranchised people the world over grapple with this question. Dramaturging Personal Narratives explores the rela……続きを見る

Stagecraft Fundamentals, Fourth Edition, is an entry-level how-to guide and reference on backstage theatre, covering every aspect of basic theatre production. The history of stagecraft, safety preca……続きを見る

Based on extensive and diverse material from 70 languages, and covering a range of previously undiscussed problems, this book provides a thorough analysis of how nominalization types interact with o……続きを見る

Karin Michaëlis levede et for sin tid atypisk liv som krigsreporter og kunstner. Hun var berømt, talte for store forsamlinger og skrev kontroversielle bøger om bl.a. kvinderollen og erotisk begær. I……続きを見る

Sceneggiatura dell’opera teatrale sovietica scritta da Majakovskij nel 1928 e che venne definita “un evento emblematico della drammaturgia sovietica, dal punto di vista ideologico cosi come da quell……続きを見る

Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre “from the rubble of Berlin” and German nationalis……続きを見る

In 1921, Sergei Prokofiev's Love for Three Oranges**ーone of the earliest, most famous examples of modernist operaーpremiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by V……続きを見る

Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new conne……続きを見る

DAH Theatre: A Sourcebook is a collection of essays about the work of one of the most successful and innovative performance groups in contemporary history. With a direct line of descent from Jerzy G……続きを見る

Studienarbeit aus dem Jahr 2004 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,0, Universität Leipzig (Institut für Theaterwissenschaft), 17 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abs……続きを見る

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: Sehr Gut, Universität Wien (Theater,-Film- und Medienwissenschaften ), Veranstaltung: Entstehung und Frühgeschichte de……続きを見る

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: Sehr Gut, Universität Wien (Theater-, Film- und Medienwissenschaften), Veranstaltung: Seminar zu Theorien und Methoden……続きを見る

Literature Review from the year 2007 in the subject Theater Studies, Dance, grade: 90%, The Open University, language: English, abstract: Just like Brecht's ideas about theatre changed throughout hi……続きを見る

DER KÖNIG DIE PRINZESSIN GIRNARA PRINZ SIHO DER ERSTE RITTER DER ZWEITE RITTER DER WÜRDENTRÄGER DER HÖFLING SCHÖNE DAME FRÄULEIN DER PILGER HAUSMEIER DER MAGIER ERSTER DIENER ZWEITER DIENER STIMME D……続きを見る

I de tidlige 60’ere tog vennerne livtag med skuespilkunsten og dannede et dengang meget omtalt makkerpar. For Ulf Pilgaard blev det starten på en forrygende karriere, hvor han tidligt kom til at arb……続きを見る

LISBET DAHL har livet igennem stolet på sin intuition. På scenen, hvor hun har stået gennem mere end 50 år. Og i privatlivet, der har budt på dramatiske op- og nedture. I denne bog fortæller hun bra……続きを見る

The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an ……続きを見る

Drawing on cultural associations with bodies of water, the spectacle of pretty women, and the appeal of the concept of “family-friendly” productions, performative aquatic spectacles portray water as……続きを見る

What does it mean to be able to move? The Aging Body in Dance brings together leading scholars and artists from a range of backgrounds to investigate cultural ideas of movement and beauty, expressiv……続きを見る

Ist Schauspielen eigentlich eine Kunst? Schauspieler(innen) sind die Fixpunkte der Aufmerksamkeit im Theater. Seit dreihundert Jahren nehmen Theoretiker die Herausforderung an, schauspielerisches Ha……続きを見る

Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing thi……続きを見る

Developing and executing marketing strategies is a vital aspect of any business and few books currently cover this with relation to creative industries. This textbook provides students and managers ……続きを見る

This book presents a lucid, comprehensive, and entertaining narrative of culture and society in late 19th- and early 20th-century Maharashtra through a perceptive study of its theatre and cinema. An……続きを見る

This book examines the radical reinterpretation of precursor texts and prompts as an innovative form of adaptation for the stage. In this context, stage adaptations are defined as active and risk-ta……続きを見る