著者：Arved Ashby
出版社： University of California Press
発売日： 2010年07月15日
Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recordin……続きを見る
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography s……続きを見る
Les tourments de la folie ont hanté Robert Schumann toute sa vie. Quel rôle ont-ils joué dans l'oeuvre du créateur ? Cet essai tente d'élucider cette question énigmatique.
À l'âge de quarante-trois ……続きを見る
Experiencing Mahler surveys the symphonies and major song sets of Gustav Mahler, presenting them not just as artworks but as vivid and deeply felt journeys. Mahler took the symphony, perhaps the mos……続きを見る
Subtil connaisseur du plus grand pianiste de tous les temps, Philippe André montre comment Liszt et la musique nous conduisent aux racines les plus profondes de notre âme.
Au cours des cinq dernière……続きを見る
A biography of the singer and educator, perhaps intended for young people. Hackley was African-American, and worked tirelessly to further young African-Americans in music careers. (The author indica……続きを見る
著者：Arved Ashby
出版社： University of California Press
発売日： 2010年06月07日
Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recordin……続きを見る
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography s……続きを見る
