By using only the First Folio text, this book acts as an original guide to performing Shakespeare’s plays.
This book is the accumulation of the many Clues from the First Folio of Shakespeare’s plays……続きを見る
Ineffable Bodies focuses on early modern heroism in drama through the notion of ineffability in order to define new dramatic forms. Drawing from Vladimir Jankélévitch’s studies on the ineffable, the……続きを見る
→ Grand entretien avec Gilles Kepel : « Le salafisme est l’arrière-plan culturel du djihadisme »
Pour Gilles Kepel, la radicalisation ne précède pas l’islamisation. « Il ne s’agit pas de “Brigades r……続きを見る
著者:Kristin Linklater
出版社: Theatre Communications Group
発売日: 1993年01月01日
A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools……続きを見る
The truth may have been revealed, but the echoes of deception linger in the shadows. Evelyn Harris, still reeling from her battle against a powerful conspiracy, is pulled back into a world of intrig……続きを見る
Hamlet: Drama en cinco actos es una de las tragedias más célebres de William Shakespeare. La obra sigue la historia del príncipe Hamlet de Dinamarca, quien, tras la misteriosa muerte de su padre, el……続きを見る
A comedy in two acts.
Written by Shakespeare and developed by Bedrettin.
The interpretation of A Midsummer Night's Dream takes a different approach to the essence of the original text, introducing s……続きを見る
Una comedia en dos actos.
Escrita por Shakespeare y desarrollada por Bedrettin.
La interpretación de Sueño de una noche de verano adopta un enfoque diferente de la esencia del texto original, introd……続きを見る
Tombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing ref……続きを見る
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirm……続きを見る
'After God, Shakespeare has created most' Alexandre Dumas
Two sets of identical twins, separated at sea as babies, find themselves in the same city for the first time as adults. Soon, their friends ……続きを見る
Dal 1948 l'Estate Teatrale Veronese, la più importante manifestazione di prosa estiva nazionale si focalizza sull'opera shakespeariana. Memorabili gli interpreti e storiche le messe in scena, tanto ……続きを見る
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan ……続きを見る
The Renaissance and the Postmodern reconsiders postmodern readings of Renaissance texts by engaging in a dialectics the authors call comparative critical values. Rather than concede the contemporary……続きを見る
Here is an important breakthrough in understanding the symbolism of Shakespeare, the Bible and the nature of our true selves. It will astonish and excite lovers of Shakespeare – artists, performers,……続きを見る
Contending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh crit……続きを見る
Many people know about William Shakespeare's famous encounter with the Doctor at the Globe Theatre in 1599. But what few people know (though many have suspected) is that it was not the first time th……続きを見る
'The magic in The Tempest is real ... It contains a great many unanswered questions' Margaret Atwood
A storm rages. Prospero and his daughter watch from their desert island as a ship carrying the ro……続きを見る
How does a woman become a whore? What are the discursive dynamics making a woman a whore? And, more importantly, what are the discursive mechanics of unmaking? In Women and Shakespeare’s Cuckoldry P……続きを見る
Shakespeare Company: When Action is Eloquence is the first comprehensive insight into this internationally acclaimed company founded in 1978 in Lenox, Massachusetts, by actor-director Tina Packer an……続きを見る
This volume, number 4 in the Shakespeare series published by AfterMath, focuses on the culture of the typical people who would have attended the Elizabethan theatre in which Shakespeare’s plays were……続きを見る
La práctica escénica fue para los artistas militantes un arma de combate y, aunque la precariedad conspiraba contra su plan, no se dieron por vencidos adaptando sus proyectos a las exigencias del af……続きを見る
Chi era veramente Shakespeare? La critica shakespeariana non è stata in grado, nel corso dei secoli, di costruire una biografia credibile del Bardo. In mancanza di un epistolario e di manoscritti au……続きを見る
Shakespeare's women rarely reach the end of the play alive. Whether by murder or by suicide, onstage or off, female actors in Shakespeare's works often find themselves 'playing dead.' But what does ……続きを見る
Race offers a compelling introduction to the study of ideas related to race throughout history. Its breadth of coverage, both geographically and temporally, provides readers with an expansive, globa……続きを見る
The gods have much to tell us about performance. When human actors portray deities onstage, such divine epiphanies reveal not only the complexities of mortals playing gods but also the nature of the……続きを見る
In The Death of the Actor Martin Buzacott launches an all-out attack on contemporary theatrical practice and performance theory which identifies the actor, rather than the director, as the key creat……続きを見る
著者:Martin Orkin
出版社: Taylor & Francis
発売日: 2007年05月07日
This remarkable volume challenges scholars and students to look beyond a dominant European and North American 'metropolitan bank' of Shakespeare knowledge. As well as revealing the potential for a n……続きを見る
Although a third of his plays are set in the ancient world and he constantly used classical mythology, history, and ideas, Shakespeare received a simple grammar school education and did not have a s……続きを見る